As
fascinated as Edgar Rice Burroughs was with automobiles throughout his
adult
life, it’s not surprising to find them scattered throughout the fiction
that he
produced during his adult life. He even designed some interesting
extra-terrestrial vehicles for use by alien races in his Mars and Venus
tales,
but let’s put them aside for now, and examine the motor vehicles he
used in his
stories set on Earth.
First,
a vocabulary lesson on the terminology that ERB utilized. He often used
“automobile” and “car,” terms commonly in use today. However, he also
used
another term, outdated now, to refer to all cars, particularly in his
early
stories. At one point in the second part of The
Mad King, written in 1914, Barney Custer revealed what he found
in a nearby
building. “It’s a machine,” he
whispered to his companion, who then understood that Barney had found
an
automobile.
ERB
identified that specific car as a roadster,
another term seldom used today. Initially it was an American term for a
two-seat car with no weather protection. The model evolved over the
years to
included two-seat convertibles. Another early car model Burroughs
mentioned was
a phaeton. Like a roadster, a phaeton lacked any fixed weather
protection, but had a back seat to carry passengers. In Marcia of the Doorstep, written in
1924, family patriarch Marcus
Aurelius purchased a new car. Its initial outing with the family aboard
ended
sadly.
“There
was a crash, a volley of profanity, a couple of screams from the back
seat and
Marcus Aurelius’ new sport model phaeton was merged with a yellow taxi.”
A
vehicle model mentioned more often by ERB is the touring car. It was a popular American
family style of open car
seating four or more people. It was popular in the early 1900s and
1920s. In
ERB’s story The Rider, the Bass
family packed into a “large touring car” for a planned European tour.
Keeping
those terms in mind, let’s look at some of the ways ERB utilized cars
in some
of his earliest stories. Since Burroughs first novel was set on Mars
and his
second was about events that took place on earth in the Middle Ages, it
wasn’t
until his third, and most famous novel, that automobiles first played a
part in
his fiction. (The period during which Burroughs wrote each story is
listed
below the story’s title.)
Dec. 1911 – May 1912
In
the final two chapters of Tarzan of
the
Apes, the notable characters shuttle around in three different
automobiles.
To keep them straight, let’s call them the “Clayton Car,” the “Canler
Car,” and
the “Tarzan Car.” The first to appear is the “Clayton Car,” which, with
its
owner, William Clayton and family friend Mr. Philander, was waiting at
the
train station in Wisconsin when Jane, her father, and Esmeralda
arrived. They
all piled into the “Clayton Car,” which then “quickly whirled away
through the
dense northern woods toward the little farm” that Jane had inherited
from her
mother.
A
week later, the “Canler Car,” “a purring six cylinder,” pulled up to
the
farmhouse. The driver, Robert Canler, had come to demand that Jane
marry him as
promised. After she finally gave in, Canler drove away the next morning
to get
a marriage license and a minister.
While
Canler was gone, a fourth automobile, a great black car, came careening
down
the road and stopped with a jolt at the cottage. It was Tarzan, of
course, come
to rescue the whole crowd from an approaching forest fire. When he
learned Jane
was off walking in the woods, he ordered Clayton to put everybody else
in his
car and drive them to safety by the north road. “Leave my car here,”
Tarzan
directed. “If I find Miss Porter we
shall need it.” The rest of the party then
climbed in the “Clayton Car” and he drove them off to safety.
Meanwhile, with
the ape-man at the wheel, the “Tarzan Car” drove toward the fire to
find and
rescue Jane. With her in the car, Tarzan sped toward safety. “The car was
plunging along the uneven road at a reckless pace,” Burroughs
noted. When the
danger had passed, Tarzan slowed the car down. It was in that vehicle
at that
time that Tarzan offered Jane his love and asked for hers.
Before
she could answer definitely, they arrived at a little hamlet where they
found
Clayton and his passengers standing around the “Clayton Car.” They were
all
sitting in the parlor of a little hostelry, when “the distant chugging of an
approaching automobile caught their attention.” It was the
“Canler Car”
returning with a minister to solemnize the driver’s marriage to Jane.
Canler
was only in the hostelry for a few moments before Tarzan “convinced”
him to
drive away in his car.
The
remaining group went outside and got into the two cars — Clayton, Jane,
her
father, and Esmeralda in the “Clayton Car” and Mr. Philander with the
ape-man
in the “Tarzan Car.” Mr. Philander spoke to the silent driver. “Bless
me,” he
said, “Who would ever have thought
it possible! The last time I saw you you
were a veritable wild man, skipping about among the branches of a
tropical
African forest, and now you are driving me along a Wisconsin road in a
French
automobile.”
Meanwhile,
ahead in the “Clayton Car,” a confused Jane Porter made a fateful
mistake. She
convinced herself that life with Clayton would be preferable to life
with a
wild man. In the train station waiting room, she told Tarzan she had
agreed to
marry Clayton. Later, on the station platform, Tarzan renounced his
birthright.
Unable to face Clayton, Tarzan decided at the last minute to drive his
car back
to New York. Jane told Clayton it was because Tarzan was anxious to see
more of
America than is possible from a car window.
Two
automobiles play roles during the two months Tarzan lived in Paris at
the
beginning of The Return of Tarzan.
While out for a walk one night, Tarzan stood on the sidewalk of a
well-lighted
boulevard waiting for traffic to clear before crossing the street.
Burroughs
recounted the communication between him and a passenger in a passing
vehicle.
Tarzan
and Olga had met on the ocean liner that brought both of them back to
France
from America. Their passing encounter on a street in Paris that evening
set in
motion events that a month later led Tarzan to a potentially fatal ride
in
another automobile. On the morning of November 26, 1909, Tarzan climbed
into
Paul D’Arnot’s “great car” for a short drive to a field outside Paris.
Tarzan
went there to answer the challenge of Count de Coude for an incident
that
occurred in the boudoir of the count’s wife a few days before. Although
wounded
twice, Tarzan survived the duel, and after some discussion, the
opponents “rode
back to Paris together in D’Arnot’s car, the best of friends.”
Jan.-Feb., 1914
Nearly
three years and many adventures passed before another automobile played
a role
in Tarzan’s life. In September 1912, Lord Greystoke was in Paris
visiting
D’Arnot, when he received a telegram informing him that his infant son
had been
kidnapped in London earlier that day. Hurrying home, Tarzan was met by
a
“roadster” at the station and driven to his family’s London townhouse.
There he
learned the kidnapping details from his distraught wife. While the
baby’s nurse
was wheeling him along the sidewalk outside the Greystoke residence, a
taxicab
drew up at the corner ahead. Carl, new houseman, then lured the nurse
back
toward the house. When the nurse reached the townhouse door, she turned
to see the
man wheeling the buggy toward the corner.
“Leaping to
the running board, she
had attempted to snatch the baby from the arms of the stranger, and
here,
screaming and fighting, she had clung to her position after the taxicab
had got
underway; nor was it until the machine had passed the Greystoke
residence at a
good speed that Carl, with a heavy blow to her face, had succeeded in
knocking
her to the pavement.”
After
Lady Greystoke witnessed the nurse’s brave attempt, she also tried in
vain to
reach the passing vehicle. After Tarzan arrived home, a conspirator’s
phone
call lured him to Dover to retrieve his son. Lord Greystoke told his
wife to
stay home, but her fear for her son overcame his directive, and she had
her
chauffeur drive her to the station to catch the late train to Dover.
There both
Tarzan and Jane were shanghaied. No automobiles existed where they
spent the
next four months. They would not return to their London home until
January
1913.
July 1913 – March 1914
After
establishing himself as a successful writer of imaginative fiction, ERB
made
his first attempt at contemporary social fiction with The
Girl From Farris’s. Since the setting is Burroughs’ hometown of
Chicago, automobiles play a part in the storyline. The reader learns at
the end
of the story that, prior to the beginning of the story, the car of
Chicago
businessman John Secor stalled in front of the countryside homestead of
the
Lathrop family. While the chauffeur tinkered with the motor, Secor
knocked on
the Lathrops’ door and asked for a glass of water. Infatuated
immediately with
the widowed Mrs. Lathrop’s daughter June, Secor returned many times in
his
chauffeured automobile to visit her. After being convinced to marry
Secor, June
was driven into town in her new husband’s car and installed in a room
at
Farris’s, a Chicago brothel.
“I know a
gink right now that’ll
pass me out five hundred bones any time for a squab like you. Say the
word and
I’ll split with you … He’d set you up in a swell apartment, plaster
sparklers
all over you, and give you a year-after-next model eight-lunger and a
shuffer.
You’d be the only chesse on Mich. Boul.”
After
June declined the officer, Eddie gave her money to buy new clothes so
that she
could get a respectable job. Meanwhile, Ogden Secor, son of John, the
bigamist
who duped June, was engaged to Sophia Welles, a Chicago socialite,
whose father
had made “several fortunes in the automobile industry.”
Aug. 1913 – March 1916
Edgar
Rice Burroughs may have loved automobiles, but Billy Byrne, the
protagonist in The Mucker, decidedly did not. As a
young man growing up on Chicago’s East Side, Billy hated everything
that was
respectable. An expensive car was one of those things. “He had writhed in
torture at sight of every shiny, purring automobile that had ever
passed him with
its load of well-groomed men and women.”
Years
later, after escaping from police following a murder conviction, Billy
had
another reason for disliking automobiles. The Kansas City police
received a tip
that Billy was at a farmhouse outside the city. ERB noted, “It was but a little
past one o’clock that a touring car rolled south out of Kansas City
with
Detective Sergeant Flannagan in the front seat with the driver and two
burly
representatives of Missouri law in the back.” Billy and Bridge
were saying
good-bye to the woman at the farmhouse, when “the dust of a fast-moving
automobile appeared about a bend in the road a half-mile from the
house.”
Fortunately for Billy, the farmer’s wife hid the two hobos in her attic
before
the police car arrived.
Although Billy achieves respectability at the end of the story, he is never seen driving a car, a machine he had hated and feared all his life.
Oct.-Nov. 1913 / Sept.-Nov. 1914
Of
the hundreds of characters Edgar Rice Burroughs created, Barney Custer
of
Beatrice, Nebraska, drove the most cars. In The
Mad King, he appears behind the wheel of four automobiles, two that
he owned
and two that he stole. Barney is first seen paying a storekeeper for
gasoline
he had just purchased for his gray roadster. It was the fall of 1912,
and
Barney was visiting for the first time his mother’s native land, the
small
Balkan kingdom of Lutha. After leaving the hamlet of Tafelberg, he
drove
through the picturesque countryside. Burroughs then described the
incident that
his life changed forever.
“Just
before him was a long, heavy
grade, and as he took it with open muffler the chugging of his motor
drowned
the sound of hoof beats rapidly approaching behind him. It was not
until he
topped the grade that he heard anything unusual, and at the same
instant a girl
on horseback tore past him.”
Noticing
the girl’s horse was out of control, Barney pressed the accelerator,
and, “Like
a frightened deer the gray roadster sprang forward in pursuit.”
As the road was
narrow, Barney drove up the outside to prevent the horse from plunging
into the
ravine below. He was able to pull her off the horse and onto the car’s
running
board, but the roadster skidded though a tight turn in the road and
toppled
over into the ravine. Barney shoved the girl off the running board, but
he went
over the embankment with his car. Fortunately, he was thrown from the
vehicle
and landed unharmed in a bush. Much later in the story, the reader
learns that
Barney’s car actually landed on Leopold, the heir to the throne of
Lutha,
pinning him go the ground temporarily. He escaped before the car burst
into
flames.
The
girl Barney sacrificed his car to save was Emma Von der Tann, who later
became
his love interest in the story. After a series of typical Burroughsian
adventures, Barney left Lutha a month later and returned to his home in
Nebraska at the conclusion of part one of The
Mad King.
Nine
months passed before Barney’s second car appeared at the beginning of
part two.
After an agent by an enemy in Lutha failed in an attempt to kill Barney
in
Beatrice, Barney decided he must return to Lutha. While his new
roadster, which
Burroughs described as “a later
model of the one he had lost in Lutha,” was in
a Beatrice repair shop, Barney learned the assassin has fled to
Lincoln,
Nebraska. Without even saying good-bye to family, “he leaped into his gray
roadster … and the last that Beatrice, Nebraska, saw of him was a
whirling
cloud of dust as he raced north out of town toward Lincoln.” He
left his car there
and took a train to New York. He tracked the assassin across the ocean,
eventually making his way to Burgova, Austria-Hungary, in early August
1914.
Since World War I had broken out in the Balkans, the border with
neighboring
Lutha was closed.
Near
the headquarters of an Austrian army corps, “his eyes hung long and greedily
upon the great, high-powered machines that chugged or purred about him
… If he
could but be behind the wheel of such a car for an hour! The frontier
could not
be over fifty miles to the south … what would fifty miles be to one of
those
machines?” Clothed in the uniform of an Austrian corporal he had
killed, Barney
walked boldly to a “big, gray machine” left unattended in front of the
headquarters building.
“To crank
it and leap to the
driver’s seat required but a moment. The big car moved slowly forward.
A turn
of the steering wheel brought it around headed toward the wide gates.
Barney
shifted second speed, stepped on the accelerator and the cutout
simultaneously,
and … shot out of the courtyard. None who saw his departure could have
guessed
from the manner of it that the young man at the wheel of the gray car
was
stealing the machine.”
Outside
the town, Barney drove south down a country road with Austrian troops
marching
on both sides. He bluffed his way onto the open road toward the
frontier, and
at the border was waved through without comment by an Austrian customs
officer.
Barney
was bound for the castle of Prince Ludwig von der Tann, Prince of Lutha
and
father of Emma von der Tann. “He
flew through the familiar main street of the
quaint old village (Tafelberg) at a speed that was little, if any less,
than 50
miles an hour … On he raced toward the south, his speed often
necessarily
diminished upon the winding mountain roads, but for the most part
clinging to a
reckless mileage.” Half way to his destination, a patrol of
Austrian
infantrymen signaled him to pull over. Instead, he pressed the
accelerator
down. “At over sixty mils an hour
the huge, gray monster bored down upon them.
One of them fell beneath the wheels — two others were thrown high in
air as the
bumper struck them.”
“For a few
minutes he held to his
rapid pace before he looked around, and then it was to see two cars
heading
toward him in pursuit. Again he accelerated the speed of the car. The
road was
straight and level. Barney watched the road rushing rapidly out of
sight
beneath the gray fenders. He glanced occasionally at the speedometer.
Seventy-five miles an hour … He saw the needle vibrate up to eighty.
Gradually
he nursed her up and up to great speed … The needle rose steadily until
it
reached 90 miles an hour — and topped it.”
Then
the radiator, penetrated by a bullet fired at the roadblock, began to
hiss and expel
steam. “At the speed he was going it
would be but a short time before the
superheated pistons expanding in their cylinders would tear the motor
to
pieces. Barney felt that he would be lucky if he were not killed when
it
happened.” The sight ahead of a bridge over a river gave Barney
an idea.
“As he neared the bridge, he reduced speed to
15 miles an hour, and set the hand throttle to hold it there. Still
gripping
the steering wheel with one hand, he climbed over the left-hand door to
the
running board. As the front wheels of the car ran up onto the bridge,
Barney
gave the steering wheel a sudden turn to the right and jumped. The car
veered
toward the wood handrail (and) the big machine plunged through them
headforemost into the river. Barney ran across the bridge, leaped the
fence and
plunged into the shelter of the wood. Then he turned to look back up
the road
in the direction from which his pursuers were coming. They were not in
sight —
they had not seen his ruse. The water in the river was of sufficient
depth to
completely cover the car.”
After
hiding in the woods for week avoiding capture by Austrians, Barney just
happened to be in the right place at the right time to save Emma von
der Tann,
who was fleeing from abductors taking her to Blentz to be forcibly
married to
Peter. Looking for a way to reach the capital city of Ludstadt, the
couple came
upon a driveway outside a small town. “People
who build driveways into their
grounds usually have something to drive,” Barney said to Emma. “Whatever it is
it should be at the other end of the driveway. Let’s see if it will
carry two.”
In a garage, Barney found a roadster. “He
ran his hand over the pedals and
levers, breathing a sigh of relief as his touch revealed the familiar
control
of a standard make.” For the second time in less than a week,
Barney became a
car thief. “It’s the through express
for Lustadt and makes no stops for
passengers or freight,” he joked with Emma.
Soon,
though, they heard the sound of horses on the roadway behind them.
Barney
increased the speed of the car, but the road was heavy with sand, and
ruts
gripping the tires slowed the speed. They held the lead for a mile. “She’s
reached her limit in this sand, and there’s a grade just ahead,” Barney
lamented. “We may find better going beyond, but they’re bound to gain
on us
before we reach the top.” An excited Emma responded, “I know where we
are now.
The hill ahead is sandy, and there is a quarter of a mile of sand
beyond, but
then we strike the Lustadt highway, and if we can reach it ahead of
them their
horses will have to go ninety miles an hour to catch us.”
“They
had reached the grade at last, and the motor was straining to the
Herculean
task imposed upon it. Grinding and grating in the second speed the car
toiled
upward through the clinging sand. The pace was snail-like. Behind, the
horsemen
were gaining rapidly … The top of the ascent lay but a few yards ahead,
and the
pursuers were but a few yards behind.” Emma turned and fired three
shots at
their pursuers. Then the car topped the hill and sped forward downhill
through
the last quarter-mile of sand toward the good road ahead.
“At last
the white ribbon of the
main road became visible. To the right they saw the headlights of a
machine.
But the machine was a mile away and could not possibly reach the
intersection
of the two roads before they had turned to the left toward Lustadt.
Then the
incident would resolve itself into a simple test of speed between the
two cars
— and the ability and nerve of the drivers. Barney hadn’t the slightest
doubt
now as to the outcome. His borrowed car was a good one, in good
condition. And
in the matter of driving he rather prided himself that he needn’t take
his hat
off to anyone when it came to ability and nerve.”
Suddenly,
from the engine came a “sickly, sucking sputter,” and the car slowed
down. The
engine shut down, and the two passengers sat in silence as their
“machine”
coasted to a stop. It was out of gasoline. When their pursuers arrived
they
found Barney and Emma standing beside the worthless car. Peter’s
soldiers took
them into custody.
That was
the fourth and last
“machine” that Barney Custer drove in ERB’s The
Mad King. It was not the last car in the story, however. Much royal
intrigue ensued as supporters of Leopold and Barney sparred for their
man’s
right to be king of Lutha. On September 3, 1914, Leopold arrived at the
cathedral in Ludstadt to marry Emma von der Tann. Captain Ernest
Maenck,
convinced that the man about to marry the princess was not Leopold, but
instead
Barney Custer, attempted to take action to prevent the ceremony.
“At the
first cross-street he turned up the side of the cathedral. The grounds
were
walled up on this side, and he sought in vain for entrance. At the rear
he
discovered a limousine standing in the alley where its chauffeur had
left it
after depositing his passengers at the front door of the cathedral. The
top of
the limousine was but a foot or two below the top of the wall. Maenck
climbed
to the hood of the machine, and from there to the top of the wall. A
moment
later he dropped to the earth inside the cathedral grounds.”
After using
the parked limousine to
gain entrance to the cathedral, Meanck, thinking it was Barney who was
about to
wed Emma, mistakenly assassinated Leopold, ironically clearing the way
for
Barney not only to marry Emma, but also to become the legitimate King
of Lutha.
ALAN'S MANY
ERBzine APPEARANCES
www.erbzine.com/hanson
BILL HILLMAN
Visit our thousands of other sites at:
BILL and SUE-ON HILLMAN ECLECTIC STUDIO
ERB Text, ERB Images and Tarzan® John Carter® Priness of Mars® are ©Edgar Rice Burroughs, Inc.- All Rights Reserved.
All Original Work ©1996-2025 by Bill Hillman and/or Contributing Authors/Owners
No part of this web site may be reproduced without permission from the respective owners