Erbzine.com Homepage
Official Edgar Rice Burroughs Tribute and Weekly Webzine Site
Since 1996 ~ Over 15,000 Web Pages in Archive

The Sacrificial Knives of the Flaming God: Part II
By Alan Hanson
Back to Part I at ERBzine 8214

8215promo.jpg

A New Sacrificial Knife for Opar

Four-and-a-half years pass before Tarzan has reason to return to Opar in the events recorded in Tarzan and the Golden Lion. (Tarzan needed more Oparian gold to replenish his fortune lost during the World War I years.) In mid-December 1918, Tarzan and 50 Waziri warriors leave the Greystoke farm with plans to once again gather gold ingots from Opar’s hidden horde. Tarzan reaches Opar, but not in the way he anticipated. Ahead of Tarzan and his Waziri, a group of European conspirators reach Opar and carry away a load of gold. After being spotted leaving Opar, La, believing Tarzan is leading the purloiners, leads a group of her priests to find and punish him.  <>

As they did a few years before, La and the Oparians find Tarzan alone and unconscious. (The conspirators had drugged Tarzan the night before.) When the priest Cadji prepares to sacrifice Tarzan, La steps in to give him a history lesson. “During the long ages that Opar has endured, our legends tell us that more than one High Priest has been offered upon the altar to the Flaming God.” Cadj then reminds La of her duty. “I did not kill him. That remains, as La, our queen, has told you, for her to do. The eye of the Flaming God looks down upon you, High Priestess of Opar. The knife is at your hip, the sacrifice lies before you.”

(Cadj’s reference to “The knife” at her hip, indicates that the Oparians must have fashioned a new sacrificial knife after the original, ages-old blade was lost years before during the events of Tarzan and the Jewels of Opar.)

 <>La instead commands her priests to make a litter and carry Tarzan back to Opar. Once there, she announces, “No other hand than mine may offer his heart’s blood to the Flaming God, and upon the third day he shall die beneath my knife upon the altar of our temple.” She is only stalling, however.  La can not again consider killing Tarzan.

“Twice before had he escaped her sacrificial knife; in the final instance love had at last triumphed over jealousy and fanaticism, and La, the woman, had realized that never again could she place in jeopardy the life of the man she loved, however hopeless she knew that love to be.”

Forsaking her throne as High Priestess and leaving the sacrificial knife behind, La leads Tarzan to freedom in the valley behind Opar. Back in the city, Cadj seizes the sacrificial knife and pronounces himself, “King of Opar, High Priest of the Flaming God.” When challenged by another priest, Cadj “leaps toward the offending man, the sacrificial knife raised menacingly above his head.”

A few days later, however, Tarzan leads an assault on Opar to restore La to her throne. In the battle’s deciding moment, Tarzan sends Jad-bal-ja into the fray.  <>

“Cadj hesitated, his knife poised on high. He saw the direction of the ape-man’s eyes and followed them, and in that instant the golden lion leaped to the pavement, and with two mighty bounds was upon the High Priest of Opar. The knife clattered to the floor and the great jaw closed upon the horrid face.” 

Coming forward and picking up the knife, La reclaimes her preeminence in Opar. Tarzan returns home, perhaps believing he has visited Opar for the last time.

 

Tarzan Again Returns to Opar

Nearly 11 years later, Tarzan made one more trip to Opar. This time, recorded in Tarzan the Invincible, he returns to the lost city to stop a group of political revolutionaries planning to finance an uprising in Africa with gold stolen from Opar.  <>

When he arrives at lost city, Tarzan expects a friendly reception from La, whom he had helped restore to the throne after the earlier coup led by the priest Cadj. However, Tarzan finds that La has been deposed again, and an angry, young priestess, who now wields the sacred sacrificial knife, confronts him. “Know, man of the outer world, that I … Oah, am high priestess of the Flaming God.” When Tarzan ignores her, and asks to see La, Oah flies into a frenzy of rage.

“She is dead!” she screamed, advancing to the edge of the dais as though to leap upon Tarzan, the jeweled handle of her sacrificial knife gleaming in the sunlight, which poured through a great aperture where a portion of the ancient roof of the throne room had fallen in. “She is dead!” she repeated. “Dead as you will be when next we honor the Flaming God with the life blood of a man. La was weak. She loved you, and thus she betrayed her God, who had chosen you for sacrifice. But Oah is strong—strong with the hate she has nursed in her breast since Tarzan and La stole the throne of Opar from her. Take him away!” she screamed to his captors, “and let me not see him again until I behold him bound to the altar in the court of sacrifice.”

Though confined, pending the sacrifice ceremony, Tarzan avoids having the “gleaming sacrificial knife” being plunged into his breast and finds the imprisoned La. The two of them hatch a counter-coup to replace La as high priestess. However, Oah learns of the plot, forcing Tarzan and La to flee Opar.

When La falls into the hands of a band of Arabs, she defends herself vigorously with a knife she had brought with her from Opar. It isn’t Opar’s sacred sacrificial knife, but the deadly way she wielded this one was a reminder of how deftly she must have used that sacred knife when she had sat on the throne in Opar.

“Her eyes flaming with anger, La leaped to her feet, one hand moving swiftly to the hilt of her dagger. Ibn Dammuk stepped back, but one of his men leaped forward to seize her. Misguided fool! Like a tigress she was upon him; and before his friends could intervene, the sharp blade of the knife of Darus, the priest of the Flaming God, had sunk thrice into his breast, and with a gasping scream he had slumped to the ground dead.

“With flaming eyes and bloody knife, the high priestess of Opar stood above her kill … “Lay no profaning hand upon the person of the high priestess of the Flaming God.”

They were able to subdue La on that occasion, but later another Arab fell victim to La’s knife-wielding fury.

“With equal safety might Ibn Dammuk have embraced a lion. In the heat of his passion he forgot many things, among them the dagger that hung always at his side. But La of Opar did not forget. With the coming of daylight, she had noticed that dagger, and ever since she had coveted it; and now as the man pressed her close, her hand sought and found its hilt. For an instant she seemed to surrender. She let her body go limp in his arms, while her own, firm and beautifully rounded, crept about him, one to his right shoulder, the other beneath is left arm. But as yet she did not give him her lips, and then as he struggled to possess them the hand upon his shoulder seized him suddenly by the throat. The long, tapered fingers that seemed so soft and white were suddenly claws of steel that closed upon his windpipe; and simultaneously the hand that had crept so softly beneath his left arm drove his own long dagger into his heart from beneath his shoulder blade. The single cry that he might have given was choked in his throat. For an instant the tall form of Ibn Dammuk stood rigidly erect; then it slumped forward, and the girl let it slip to the earth. She spurned it once with her foot, then removed from it the girdle and sheath for the dagger, wiped the bloody blade upon the man’s thob.”

La eventually returns to Opar, and, with Tarzan and his Waziri warriors’ help, regains her throne in Opar and, presumably, possession of the city’s sacred sacrificial knife. How long La continued to reign in Opar and how many more sacrificial victims died beneath the sacred knife in her hand is unknown.


— The End —

Back to Part I at ERBzine 8214


ENJOY 90 IN-DEPTH, ILLUSTRATED ERB-RELATED ARTICLES BY ALAN AT
www.ERBzine.com/hanson

Back to 8002nextbam6.jpg

BILL HILLMAN
Visit our thousands of other sites at:
BILL and SUE-ON HILLMAN ECLECTIC STUDIO
ERB Text, ERB Images and Tarzan® John Carter® Priness of Mars® are ©Edgar Rice Burroughs, Inc.- All Rights Reserved.
All Original Work ©1996-2026 by Bill Hillman and/or Contributing Authors/Owners
No part of this web site may be reproduced without permission from the respective owners