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THE OAKDALE AFFAIR
(usually published along with The Rider)
Completed in June 1917 with working title of "Bridge and the Oskaloosa Kid."
SEE THE FILM COVERAGE AT
At age 23, John Coleman Burroughs was given the chance to illustrate his father's book,
The Oakdale Affair and the Rider.
JCB was very dedicated to his art and threw himself completely into his work, striving
hard to justify his father's faith in him.
He used his wife, Jane Ralston, and his brother-in-law, James
Pierce as models for the dust jacket, which he painted on a 30" x 50" canvas.
The cover and the two interior illustrations were a success and he matured rapidly as an artist.
He went on to illustrate all future ERB books published during the author's lifetime -
a total of over 125 illustrations.
ERB's Jack London / H.H. Knibbs-inspired, selfless, poetry-spouting, hobo character, Bridge, makes another appearance in the novellete, The Oakdale Affair (original title, Bridge and the Oskalooska Kid. Joining the poetic hobo in this gothic-like tale are many other unusual elements: dark mysterious nights, a deserted haunted farmhouse, a violent thunderstorm, the Oskalooska Kid, a girl disguised as a boy, thieves and murderers, Beppo the bear in chains, and other surprises. This sequel to The Mucker, written between January 10 and June 12, 1917, was rejected by All-Story magazine but later published in the March 1918 edition of Blue Book. The story, along with H.R.H. The Rider, was eventually published in hardcover by ERB, Inc. on February 15, 1937. This was the first ERB novel illustrated by John Coleman Burroughs. He did the dust jacket painting and two interiors using his wife Jane Ralston Burroughs and brother-in-law James Pierce as models for the illustrations. The story also has the distinction of being the first ERB story adapted to film, predating Lincoln's Tarzan of the Apes by more than a year.
THE OAKDALE AFFAIR
A New Production from a Story by
Edgar Rice Burroughs,
Author of "TARZAN."
Synopsis of "THE OAKDALE AFFAIR."
"The Oakdale Affair" is a mystery play made for the average theatre patron. It affords real entertainment. There is not a heavy or dull moment in the picture. The action is rapid and filled with that fast-moving punch that gets an audience right at the start and holds them tense all the time the picture is being screened!
The mystery is deep and would puzzle even Sherlock Holmes. But isn't the kind that tires your audience. Director Apfel took care that only an element of that tantalizing uncertainty that holds the audience, was introduced.
Gail Prim runs away from home, taking with her her jewels and some money. She joins a band of tramps and poses as a noted criminal. Her father believes that she has been kidnapped by the thieves who robbed her jewel case. The story ends with Gail in jail after many thrilling adventures. Her father comes and easily proves her innocence of any crime, and she returns home.
With an excellent cast, headed by Evelyn Greeley, this is one of the best pictures yet!
~Playbill from the Mercury Film Service, Leeds, England ~ 1917
The man stepped toward the car, shaking his head.
~THE ORIGINAL PULP ENDING ~
MISSING FROM THE ERB, INC. FIRST EDITION
“Oh, no, Miss Prim,” he said, “I can’t do that. Here’s your ‘swag.’” And he smiled as he passed over her jewels and money.
Mr. Prim’s eyes widened; he looked suspiciously at Bridge. Abigail laughed merrily. “I stole them myself, Dad,” she explained, “and then Mr. Bridge took them from me in the jail to make the mob think he had stolen them and not I — he didn’t know then that I was a girl, did you?”
“It was in the jail that I first guessed; but I didn’t quite realize who you were until you said that the jewels were yours — then I knew. The picture in the paper gave me the first inkling that you were a girl, for you looked so much like the one of Miss Prim. Then I commenced to recall little things, until I wondered that I hadn’t known from the first that you were a girl; but you made a bully boy!” and they both laughed. “And now good-by, and may God bless you!” His voice trembled ever so little, and he extended his hand. The girl drew back.
“I want you to come with us,” she said. “I want Father to know you and to know how you have cared for me. Wont you come — for me?”
“I couldn’t refuse, if you put it that way,” replied Bridge; and he climbed into the car. As the machine started off a boy leaped to the running-board.
“Hey!” he yelled, “where’s my reward? I want my reward. I’m Willie Case.”
“Oh!” exclaimed Bridge. “I gave your reward to your father — maybe he’ll split it with you. Go ask him.” And the car moved off.
“You see,” said Burton, with a wry smile, “how simple is the detective’s job. Willie is a natural-born detective. He got everything wrong from A to Izzard, yet if it hadn’t been for Willie we might not have cleared up the mystery so soon.”
“It isn’t all cleared up yet,” said Jonas Prim. “Who murdered Baggs?”
“Two yeggs known as Dopey Charlie and the General,” replied Burton. “They are in the jail at Oakdale; but they don’t know yet that I know they are guilty. They think they are being held merely as suspects in the case of your daughter’s disappearance, whereas I have known since morning that they were implicated in the killing of Baggs; for after I got them in the car I went behind the bushes where we discovered them and dug up everything that was missing from Baggs’ house, as nearly as is known — currency, gold and bonds.”
“Good!” exclaimed Mr. Prim.
On the trip back to Oakdale, Abigail Prim cuddled in the back seat beside her father, told him all that she could think to tell of Bridge and his goodness to her.
“But the man didn’t know you were a girl,” suggested Mr. Prim.
“There were two other girls with us, both very pretty,” replied Abigail, “and he was as courteous and kindly to them as a man could be to a woman. I don’t care anything about his clothes, Daddy; Bridge is a gentleman born and raised-anyone could tell it after half an hour with him.”
Bridge sat on the front seat with the driver and one of Burton’s men, while Burton, sitting in the back seat next to the girl, could not but overhear her conversation.
“You are right,” he said. “Bridge, as you call him, is a gentleman. He comes of one of the finest families of Virginia and one of the wealthiest. You need have no hesitancy, Mr. Prim, in inviting him into your home.”
For a while the three sat in silence; and then Jonas Prim turned to his daughter. “Gail,” he said, “before we get home I wish you’d tell me why you did this thing. I think you’d rather tell me before we see Mrs. P.”
“It was Sam Benham, Daddy,” whispered the girl. “I couldn’t marry him. I’d rather die, and so I ran away. I was going to be a tramp; but I had no idea a tramp’s existence was so adventurous. You won’t make me marry him, Daddy, will you? I wouldn’t be happy, Daddy.”
“I should say not, Gail; you can be an old maid all your life if you want to.”
“But I don’t want to — I only want to choose my own husband,” replied Abigail.
Mrs. Prim met them all in the living-room. At sight of Abigail in the ill-fitting man’s clothing she raised her hands in holy horror; but she couldn’t see Bridge at all, until Burton found an opportunity to draw her to one side and whisper something in her ear, after which she was graciousness personified to the dusky Bridge, insisting that he spend a fortnight with them to recuperate.
Between them, Burton and Jonas Prim fitted Bridge out as he had not been dressed in years, and with the feel of fresh linen and pressed clothing, even if ill fitting, a sensation of comfort and ease pervaded him which the man would not have thought possible from such a source an hour before.
He smiled ruefully as Burton looked him over. “I venture to say,” he drawled, “that there are other things in the world besides the open road.”
It was midnight when the Prims and their guests arose from the table. Hettie Penning was with them, and everyone present had been sworn to secrecy about her share in the tragedy of the previous night. On the morrow she would return to Payson and no one there the wiser; but first she had Burton send to the jail for Giova, who was being held as a witness, and Giova promised to come and work for the Pennings.
At last Bridge stole a few minutes alone with Abigail, or, to be more strictly a truthful historian, Abigail outgeneraled the others of the company and drew Bridge out upon the veranda.
“Tell me,” demanded the girl, “why you were so kind to me when you thought me a worthless little scamp of a boy who had robbed some one’s home.”
“I couldn’t have told you a few hours ago,” said Bridge. “I used to wonder myself why I should feel toward a boy as I felt toward you, — it was inexplicable, — and then when I knew that you were a girl, I understood, for I knew that I loved you and had loved you from the moment that we met there in the dark and the rain beside the Road to Anywhere.”
“Isn’t it wonderful?” murmured the girl, and she had other things in her heart to murmur; but a man’s lips smothered hers as Bridge gathered her into his arms and strained her to him.
UNAUTHORIZED and POD EDITIONS
Frazetta cover painting (click)
Hillman ERB Cosmos
Patrick Ewing's First Edition Determinors
John Coleman Burroughs Tribute
Summary by James D. Bozarth
J. Allen St. John Bio, Gallery & Links
Edgar Rice Burroughs: LifeLine Biography
Bob Zeuschner's ERB Bibliography
J.G. Huckenpohler's ERB Checklist
Burroughs Bibliophiles Bulletin
G. T. McWhorter's Burroughs Bulletin Index
ERB: Film Producer
Illustrated Bibliography of ERB Pulp Magazines
Phil Normand's Recoverings
ERBzine Weekly Online Fanzine
ERB Emporium: Collectibles ~ Comics ~ BLBs ~ Pulps ~ Cards
ERBVILLE: ERB Public Domain Stories in PDF
Clark A. Brady's Burroughs Cyclopedia
Heins' Golden Anniversary Bibliography of Edgar Rice Burroughs
Bradford M. Day's Edgar Rice Burroughs: A Bibliography
Irwin Porges: The Man Who Created Tarzan
John Carter Film News
ERB, Inc. Corporate Site