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Volume 1660

Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs

#10  Tarzan And The Ant Men
Introduction & Prologue
by
R.E. Prindle

I am no historian or chronicler of facts, furthermore, I hold a very definite conviction that there are certain subjects which fiction writers should leave alone, foremost among which are politics and religion.  However, it seems to me not unethical to pirate an idea occasionally from one or the other, provided that the subject be handled in such a way as to impart a definite impression of fictionalizing. ~ E. R. Burroughs: Tarzan The Invincible
Pagination text:  Tarzan And The Ant Men, Ballantine Paperback Editions, 1963 et subs.

Prologue


1.

Whitman Better Little Book 1945: Cover art by John Coleman Burroughs      When I bought my childhood Tarzans in the early 1950s there were only eight available from Grossett & Dunlap, Burroughs' long time reprint publisher, plus two abridgements from Whitman Publishing of Racine, Wisconsin.  I had seven of the G&Ds and both Whitmans.  I never read the Whitmans -- Tarzan And The City Of Gold and Tarzan And The Forbidden City -- because they were abridgements.  Having checked my trusty Webster's Collegiate I knew what that meant, therefore disdaining them.  Besides they were cheap.

     The publishing history of Burroughs is a very strange one.  It was almost as though his publishers were trying to sabotage his success.  Because of Burroughs arrangement with his publisher McClurg's they retained control of the first twelve Tarzan titles until about 1960 which they leased to G&D sharing the royalties with Burroughs 50-50.  The remaining titles, which were never available in my youth, except the two abridgements, belonged to ERB, Inc.

     At the time I bought my titles only eight of the twelve belonging to McClurg's were in release.  Oddly enough the original title, Tarzan Of The Apes, was not available.  Why G&D didn't publish the original is unknown to me but it very probably had not been available from sometime in the twenties until the sixties.  It may not have been available for less than ten years after its publication in 1914.  Strikes me as very strange that the defining volume was purposely withheld.  At any rate Burroughs, McClurg's and G&D were at odds the whole term of their relationship.

     Although Burroughs is credited with selling tens of millions of copies during his lifetime it is difficult to see how.  The Tarzan novels were far and away his best sellers with the Mars series a distant second.  Of the secondary titles published by McClurg's in the twenties most were available for a very short time, the plates being sold to ERB as worthless shortly after publication.

     It was only in the sixties that the entire corpus became available and actually sold well.  At that time two additional Tarzan titles were discovered and published bringing the series total to twenty-four.  As Burroughs declined to publish them in his lifetime he can't be held responsible for their draftlike quality.

     Of the seven titles I had the ones that made the deepest impression on me were Tarzan The Terrible, Tarzan And The Jewels Of Opar and Tarzan And The Ant Men.

     It is now difficult for me to capture the wonder and awe with which I read Ant Men.  I can remember my hands shaking, my mouth slack as I turned from page to page.  I remember nothing of the Alali or the story of Esteban Miranda although the character made a deep impression on my mind.  I just couldn't tell you in what stories he appeared.

     The miraculous story of the Ant Men, -- the true pygmies as the novel declared -- captured my attention.  I can't now recall what allegory or symbolism I attached to the story as I knew that like a poet Burroughs was talking about something else. I found the allegory intensely exciting. This more than anything convinced me of his genius.

     The core of the value Tarzan had to impart lay with this book.  While I remembered the hive-like activity of the Minunian cities, what impressed me most were the scenes in the underground quarries.  I probably related on the unconscious level to the plight of Talaskar on the Anima level and Tarzan on the level of the Animus.  I probably interpreted  their plights as representing mine.

     I didn't actually recall any of the story of the caverns.  So What?  The fifteen or twenty pages or so impressed themselves indelibly on my memory as a dream.  Those pages, some scenes from Tarzan The Terrible and the Opar story from Jewels Of Opar form the basis of my reverence for Tarzan and Burroughs.


2.

Japanese Edition     Ant Men, the tenth Tarzan novel, is about ten years after the first so with an average of one a year through some very tumultuous times, both personal and historical, ERB was definitely keeping one part of his mind focused on his writing which continued to be prolific.

     One is astonished that he could turn out complex and coherent stories while under such stresses.  The range of subject matter is also astonishing, especially since his 1919 move to California when his troubles really began.  He published science fiction, realistic and Western stories as well as at least three of the Tarzan series.  In addition he appears to have been reading voluminously.  Burroughs really had an astonishing mind to compartmentalize all those concerns.

     The idea of the miniature men was suggested to him by his editor at Munsey, Bob Davis, according to biographer Porges.  One can't take a writer's statements at face value but Burroughs said at this time that he was about written out on Tarzan, having said everything about him there was to say.

     There may be some truth to the statement since there is a hiatus of Tarzan stories from Ant Men of 1923 to Tarzan, Lord Of The Jungle in 1927.  Lord Of The Jungle is also the weakest of the Tarzan's to that date.  Then there was a burst of brilliant activity from 1928's Lost Empire though the mid-thirties when ERB was under political pressure from the Left.

     If Davis did suggest the miniature men theme then Burroughs handled it in a most brilliant manner.  While ERB may have read Swift's Lilliputian story there is little evidence of a direct influence save the brief theme of a giant among tiny people.  In Tarzan's wavering physical stature it is interesting to note that he is four times the Minunian stature of eighteen inches making him an even six feet once again.  His double running around the jungle is presumable still at 6' 3" making him noticeably taller than the giant man-god cum beast.  Wow! What a guy, huh?

     Although ERB did use Davis' suggestion for Ant Men he has actually combined three stories within the frame of the airplane crash.

I.  Tarzan And The Alali
II.  Tarzan And Esteban Miranda
III.  Tarzan And The Ant Men

     In my analysis I will treat each story separately in the above order.


Two Ant Men work sheets from ERB's writing journal


The Themes and Variation Series by R.E. Prindle
#10: Tarzan and the Ant Men
Introduction & Prologue
I.  Tarzan And The Alali
II.  Tarzan And Esteban Miranda
III.  Tarzan And The Ant Men

R. E. Prindle welcomes your comments at:
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