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Volume 0253

Jasoom - Tarzana - Africa - Pellucidar
BarsoomSasoomVanah - LunaAmtor - Cosoom
The Many Worlds of
Edgar Rice Burroughs Signature
"The master of imaginative fantasy adventure...
...the creator of Tarzan and...
...the 'grandfather of science-fiction'"



LORD GREYSTOKE'S GALLERY
John Clayton, Lord Greystoke
IMAGES OF AMTOR I
THE PIRATES OF VENUS
~ A Venus Novel by ERB ~
Illustrated by Fortunino Matania
Fortunino Matania (Italian/British, 1881-1963) was born in Naples in 1881 and died in 1963. By the age of twenty he was working in Paris and soon afterwards moned to London where he was appointed as an illustrator with The Graphic. After three years in England he had to go back to Italy to do his national military service.

After completing his military duties Matania returned to England where he was employed by The Sphere. King George V was impressed with Mantania's work and invited him to cover his tour of India.

During the First World War Mantania was employed by the Ministry of Propaganda. He visited the Western  Front several times and his drawings of the conflict appeared in The Illustrated London News and the French journal, L'Illustration.

Although Alfred Hitchcock was given only a limited budget for the 1933 movie, The Man Who Knew Too Much, he knew the technical tricks which could camouflage the fact. The gripping Albert Hall sequence in which a diplomat is about to be assassinated was actually shot in the Lime Grove studio. A painting by Fortunino Matania reflected with a mirror into the camera lens served as most of the Albert Hall audience.

Matania  is celebrated for his realistic portrayals of historical subjects and allegorical subjects. In 1902, Matania was invited to London to cover the Coronation of Edward VII for The Graphic. Matania thereafter covered every major Royal event -- marriage, christening, funeral, and coronation of British royalty, up to the coronation of Queen Elizabeth in 1953. At the outbreak of World War I, Matania established himself as a war artist, much acclaimed for his graphic images of trench warfare. His painting for the Blue Cross entitled Goodbye, Old Man, showing a British soldier saying farewell to his dying horse, is a famous example of his war work.

After World War I, Matania began conjuring up scenes of ancient life for the British woman's magazine, Britannia and Eve,where Matania worked for 19 years. He filled his London studio with reproductions of Roman furniture and pored over history books for compelling subjects. With the help of models and statues, he visualized mythical and allegorical subjects, including Samson and Delilah. Matania was also recommended to film director Cecil B. DeMille for whom he created scenes of ancient Rome and Egypt that helped create set designs for the Ten Commandments.

SAMPLES OF MATANIA'S EARLIER WORK

Fortunino Matania, Six-in Guns (1916)Fortunino Matania in Piedigrotta Morano 1904Casualties



THE PIRATES OF VENUS

THE PIRATES OF VENUS and LOST ON VENUS ~ Two Venus Novels by ERB ~ Illustrated by Fortunino Matania
I mounted the ladder leaning against the side of the torpedo and entered it.
It was the moon, and I was hurtling toward it at the rate of thirty-six thousand miles an hour.
I acted upon a sudden inspiration and hurriedly made fast the end of the rope that I held to one of the stout posts.I had been absolutely dumfounded by her beauty.
I saw a girl among the flowers there.She wheeled on me like a tigress, and slapped my face, How dare you lay a hand upon me? she cried. I should kill you.
As he drew his dagger and struck at me, I ran his own blade through his heart.


Pirates of Venus, The Passing Show illustration

Pirates of Venus: Chapter X Mutiny

To my horror I saw the creature seize my companion.Suddenly we broke from the forest and winged out across a magnificent landlocked harbor.
I saw the powerful Zog wrest the weapons from a soldier, and then lift the man's body above his head and cast it overboard.
Is it a crime to love you? I asked. It is a crime to tell me so, she replied, with something of haughtiness.
For a moment I was submerged; and then my head rose above the water, and I saw the Sofal rolling and pitching fifty feet away.I saw the Sofal rolling and pitching fifty feet away.
Spreading his powerful wings, he rose from the ground, while Duare stretched her hands toward me.
Spreading his powerful wings, he rose from the ground, while Duare stretched her hands toward me.


Click for full-size poster collage

VENUS (AMTOR) SERIES in the ERBzine C.H.A.S.E.R BIBLIOGRAPHY

1. Pirates of Venus
2. Lost on Venus
3. Carson of Venus
4. Escape on Venus
5. The Wizard of Venus
    (Tales of Three Planets)

See Part 2 in ERBzine 0254

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