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Volume 5373
ERB'S HEART OF DARKNESS:
NIKOLAS ROKOFF AND THE BEASTS OF TARZAN
Part Three
N. C. Wyeth: Return of Tarzan - 26 interior b/w headpieces by St. John (debut)J. Allen St. John: Beasts of Tarzan - wraparound DJ, FP, many b/w line interiors
by
Woodrow Edgar Nichols, Jr.
Tarzan is now is Paris, the most beautiful city in the civilized world. He is not really bound by human laws or customs, just the law of the jungle. This will lead to some humorous adventures as we are soon to see. Let us join our epic hero as he prowls the streets of Paris.

II: What Happened in the Rue Maule
    On his arrival in Paris, Tarzan had gone directly to the apartments of his old friend, D’Arnot, where the naval lieutenant had scored him roundly for his decision to renounce the title and estates that were rightfully his from his father, John Clayton, the late Lord Greystoke.
    “You must be mad, my friend,” said D’Arnot, “thus lightly to give up not alone wealth and position, but an opportunity to prove beyond doubt to all the world that in your veins flows the noble blood of two of England’s most honored houses – instead of the blood of a savage she-ape. It is incredible that they could have believed you – Miss Porter least of all.
    “Why, I never did believe it, even back in the wilds of your African jungle, when you tore the raw meat of your kills with mighty jaws, like some wild beast, and wiped your greasy hands upon your thighs. Even then, before there was the slightest proof to the contrary, I knew that you were mistaken in your belief that Kala was your mother.
    “And now, with your father’s diary of the terrible life led by him and your mother on that wild African shore; with the account of your birth, and, final and most convincing proof of all, your own baby finger prints upon the pages of it, it seems incredible to me that you are willing to remain a nameless, penniless vagabond.”
    “I do not need any better name than Tarzan,” replied the ape-man; “and as for remaining a penniless vagabond, I have no intention of so doing. In fact, the next, and let us hope the last, burden that I shall be forced to put upon your unselfish friendship will be the finding of employment for me.”
    “Pooh, pooh!” scoffed D’Arnot. “You know that I did not mean that. Have I not told you a dozen times that I have enough for twenty men, and that half of what I have is yours? And if I gave it all to you, would it represent even the tenth part of the value I place upon your friendship, my Tarzan? Would it repay the services you did me in Africa? I do not forget, my friend, that but for you and your wondrous bravery I had died at the stake in the village of Mbonga’s cannibals. Nor do I forget that to your self-sacrificing devotion I owe the fact that I recovered from the terrible wounds I received at their hands – I discovered later something of what it meant to you to remain with me in the amphitheater of apes while your heart was urging you on to the coast.
    “When we finally came there, and found that Miss Porter and her party had left, I commenced to realize something of what you had done for an utter stranger. Nor am I trying to repay you with money, Tarzan. It is just that at present you need money; were it sacrifice that I might offer you it were the same – my friendship must always be yours, because our tastes are similar, and I admire you. That I cannot command, but the money I can and shall.”
    “Well,” laughed Tarzan, “we shall not quarrel over the money. I must live, and so I must have it; but I shall be more contented with something to do. You cannot show me your friendship in a more convincing manner than to find employment for me – I shall die of inactivity in a short while. As for my birthright – it is in good hands. Clayton is not guilty of robbing me of it. He truly believes that he is the real Lord Greystoke, and the chances are that he will make a better English lord than a man who was born and raised in an African jungle. You know that I am but half civilized even now. Let me see red in anger but for a moment, and all the instincts of the savage beast that I really am, submerge what little I possess of the milder ways of culture and refinement.
    “And then again, had I declared myself I should have robbed the woman I love of the wealth and position that her marriage to Clayton will now insure to her. I could not have done that – could I, Paul?
    “Nor is the matter of birth of great importance to me,” he went on, without waiting for a reply. “Raised as I have been, I see no worth in man or beast that is not theirs by virtue of their own mental or physical prowess. And so I am as happy to think of Kala as my mother as I would be to try to picture the poor, unhappy little English girl who passed away a year after she bore me. Kala was always kind to me in her fierce and savage way. I must have nursed at her hairy breast from the time that my own mother died. She fought for me against the wild denizens of the forest, and against the savage members of our tribe, with the ferocity of real mother love.
    “And I, on my my part, loved her, Paul. I did not realize how much until after the cruel spear and the poisoned arrow of Mbonga’s black warriors had stolen her away from me. I was still a child when that occurred, and I threw myself upon her dead body and wept over my anguish as a child might for his own mother. To you, my friend, she would have appeared a hideous and ugly creature, but to me she was beautiful – so gloriously does love transfigure its object. And so I am perfectly content to remain forever the son of Kala, the she-ape.”
It is because of this kind of psychological insight that I can equate ERB with the likes of Joseph Conrad for his rightful placement in the annals of English literature. I mean, think about all of the thinking that ERB must have gone through to take Tarzan’s rash decision at the end of the first novel and turn it into a well-reasoned rationalization, with a scathing critique of Western Civilization. Yes, these first Tarzan novels were more than just great adventure stories. They were doing what Conrad did, just in a less intellectual manner. Or perhaps he did little thinking about it and just wrote instinctively. Well, I will leave this up to the English professors.

One theme that ERB was always aiming at was the value of friendship in human life. That is surely the main theme in his first three Mars novels. Tarzan had mused on the ocean voyage about the value of friendship, and with D’Arnot, he had truly found one. Of course, in a few more pages he is going to need all of the friendship he can get.

    “I do not admire you the less for your loyalty,” said D’Arnot, “but the time will come when you will be glad to claim your own. Remember what I say, and let us hope that it will be as easy then as it is now. You must bear in mind that Professor Porter and Mr. Philander are the only people in the world who can swear that the little skeleton found in the cabin with those of your father and mother was that of an infant anthropoid ape, and not the offspring of Lord and Lady Greystoke. That evidence is most important. They are both old men. They may not live many years longer. And then, did it not occur to you that once Miss Porter knew the truth she would break her engagement with Clayton? You might easily have your title, your estates, and the woman you love, Tarzan. Had you not thought of that?”
    Tarzan shook his head. “You do not know her,” he said. “Nothing could bind her closer to her bargain than some misfortune to Clayton. She is from an old southern family in America, and southerners pride themselves upon their loyalty.”
    Tarzan spent the two following weeks renewing his former brief acquaintance with Paris. In the daytime he haunted the libraries and picture galleries. He had become an omnivorous reader, and the world of possibilities that were opened to him in this seat of culture and learning fairly appalled him when he contemplated the very infinitesimal crumb of the sum total of human knowledge that a single individual might hope to acquire even after a lifetime of study and research; but he learned what he could by day, and threw himself into a search for relaxation and amusement at night. Nor did he find Paris a whit less fertile field for his nocturnal avocation.
    If he smoked too many cigarettes and drank too much absinth it was because he took civilization as he found it, and did the things that he found his civilized brothers doing. This life was a new and alluring one, and in addition he had a sorrow in his breast and a great longing which he knew could never be fulfilled, and so he sought in study and in dissipation – the two extremes – to forget the past and inhibit contemplation of the future.
Of course, because of censorship and love for the honor of his character, ERB left out the other manly pleasure among European gentlemen – whoring. Well, not entirely. There is a brief hint with Tarzan’s infatuation with the Russian dancer in the music hall, and Tarzan is about to have a run-in with a low, conniving prostitute, but it is not a lustful or even an alluring one.
    He was sitting in a music hall one evening, sipping his absinth and admiring the art of a certain famous Russian dancer, when he caught a passing glimpse of a pair of evil black eyes upon him. The man turned and was lost in the crowd at the exit before Tarzan could catch a good look at him, but he was confident that he had seen those eyes before and that they had been fastened on him this evening through no passing accident. He had had the uncanny feeling for some time that he was being watched, and it was in response to this animal instinct that was strong within him that he had turned suddenly and surprised the eyes in the very act of watching him.
    Before he left the music hall the matter had been forgotten, nor did he notice the swarthy individual who stepped deeper into the shadows of an opposite doorway as Tarzan emerged from the brilliantly lighted amusement hall.
    Had Tarzan but known it, he had been followed many times from this and other places of amusement, but seldom if ever had he been alone. Tonight D’Arnot had had another engagement, and Tazan had come by himself.
    As he turned in the direction he was accustomed to from this part of Paris to his apartments, the watcher across the street ran from his hiding-place and hurried on ahead at a rapid pace.
    Tarzan had been wont to traverse the Rue Maule on his way home at night. Because it was very quiet and very dark it reminded him more of the beloved African jungle than did the noisy and garish streets surrounding it. If you are familiar with your Paris you will recall the narrow, forbidding precincts of the Rue Maule. If you are not, you need but ask the police about it to learn that in all Paris there is no street to which you should give a wider berth after dark.
 I for one do not know my way around Paris, or even if the Rue Maule is a real street, since as a noun it means “sledgehammer,” and as a transitive verb it means what it sounds like: “to batter or lacerate.” I don’t believe that ERB ever visited Paris, so this is all likely the master bullshitting his audience, but all the same making the street a very believable place.
    On this night Tarzan had proceeded some two squares through the dense shadows of the squalid old tenements which line this dismal way when he was attracted by screams and cries for help from the third floor of an opposite building. The voice was a woman’s. Before the echoes of her first cries had died Tarzan was bounding up the stairs and through the dark corridors to her rescue.
    At the end of the corridor of the third landing a door stood slightly ajar, and from within Tarzan heard again the same appeal that had lured him from the street. Another instant found him in the center of a dimly lighted room. An oil lamp burned upon a high, old-fashioned mantel, casting its dim rays over a dozen repulsive figures. All but one were men. The other was a woman of about thirty. Her face, marked by low passions and dissipation, might once have been lovely. She stood with one hand at her throat, crouching against the farther wall.
    “Help, monsieur,” she cried in a low voice as Tarzan entered the room; “they were killing me.”
    As Tarzan turned toward the men about him, he saw the crafty, evil faces of habitual criminals. He wondered that they had made no effort to escape. A movement behind him caused him to turn. Two things his eyes saw, and one of them caused him considerable wonderment. A man was sneaking stealthily from the room, and in the brief glance that Tarzan had of him he saw that it was Rokoff.
    But the other thing that he saw was of more immediate interest. It was a great brute of a fellow tiptoeing upon him from behind with a huge bludgeon in his hand, and then, as the man and his confederates saw that he was discovered, there was a concerted rush upon Tarzan from all sides. Some of the men drew knives. Others picked up chairs, while the fellow with the bludgeon raised it high above his head in a mighty swing that would have crushed Tarzan’s head had it ever descended upon it.
    But the brain, and the agility, and the muscles that had coped with the mighty strength and cruel craftiness of Terkoz and Numa in the fastness of their savage jungle were not to be so easily subdued as these apaches of Paris had believed.
    Selecting his most formidable antagonist, the fellow with the bludgeon, Tarzan charged full upon him, dodging the falling weapon, and catching the man a terrific blow on the point of the chin that felled him in his tracks.
    Then he turned upon the others. This was sport. He was reveling in the joy of battle and the lust of blood. As though it had been a brittle shell, to break at the least rough usage, the thin veneer of his civilization fell from him, and the ten burly villains found themselves penned in a small room with a wild and savage beast, against whose steel muscles their puny strength was less than futile.
    At the end of the corner without stood Rokoff, waiting the outcome of the affair. He wished to be sure that Tarzan was dead before he left but it was not a part of his plan to be one of those within the room when the murder occurred.
    The woman still stood where she had when Tarzan entered, but her face had undergone a number of changes with the few minutes which had elapsed. From the semblance of distress which it had worn when Tarzan first saw it, it had changed to one of craftiness as he had wheeled to meet the attack from behind; but the change Tarzan had not seen.
    Later an expression of surprise and then one of horror superseded the others. And who may wonder. For the immaculate gentleman her cries had lured to what was to have been his death had been suddenly metamorphosed into a demon of revenge. Instead of soft muscles and a weak resistance, she was looking upon a veritable Hercules gone mad.
    “Mon Dieu!” she cried; “he is a beast!” For the strong, white teeth of the ape-man had found the throat of one of his assailants, and Tarzan fought as he had learned to fight with the great bull apes of the tribe of Kerchak.
    He was in a dozen places at once, leaping hither and thither about the room in sinuous bounds that reminded the woman of a panther she had seen at the zoo. Now a wristbone snapped in his iron grip, now a shoulder was wrenched from its socket as he forced a victim’s arm backward and upward.
    With shrieks of pain the men escaped into the hallway as quickly as they could; but even before the first one staggered, bleeding and broken, from the room, Rokoff had seen enough to convince him that Tarzan would not be the one to lie dead in that house this night, and so the Russian had hastened to a nearby den and telephoned the police that a man was committing murder on the third floor of Rue Maule, 27.
    When the officers arrived they found three men groaning on the floor, a frightened woman lying upon a filthy bed, her face buried in her arms, and what appeared to be a well-dressed young gentleman standing in the center of the room awaiting the reinforcements which he had thought the footsteps of the officers hurrying up the stairway had announced – but they were mistaken in the last; it was a wild beast that looked upon them through those narrowed lids and steel-gray eyes. With the smell of blood the last vestige of civilization had deserted Tarzan, and now he stood at bay, like a lion surrounded by hunters, awaiting the next overt act, and crouching to charge its author.
    “What has happened here?” asked one of the policeman.
    Tarzan explained briefly, but when he turned to the woman for confirmation of his statement he was appalled by her reply.
    “He lies!” she screamed shrilly, addressing the policeman. “He came to my room while I was alone, and for no good purpose. When I repulsed him he would have killed me had not my screams attracted these gentlemen, who were passing the house at the time. He is a devil, monsieurs; alone he has all but killed ten men with his bare hands and his teeth.”
    So shocked was Tarzan by her ingratitude that for a moment he was struck dumb. The police were inclined to be a little skeptical, for they had had other dealings with this same lady and her coterie of gentlemen friends.
In other words, she was a dirty, hustling prostitute, lying, in both senses of the word, on a filthy bed. We are given no clues to how she was dressed, but we can imagine she was dressed like a street hooker. However, she appears to have had a fairly respectable clientele since they are referred to as gentlemen.

However, they were policemen, not judges, so they decided to place all the inmates of the room under arrest, and let another, whose business it was, separate the innocent from the guilty.

This is the curse of all policemen, for once they place anyone under arrest for any reason, they work like the devil to oppose any dismissal of charges based on being merely present when a crime has been committed, because of their pride that they never arrest innocent people. There is a lot of irony in ERB’s observation. I believe Tarzan’s understanding of the situation was one with which ERB most definitely agreed.

    But they found that it was one thing to tell this well-dressed young man that he was under arrest, but quite another to enforce it.
    “I am guilty of no offense,” he said quietly. “I have but sought to defend myself. I do not know why the woman has told you what she has. She can have no enmity against me, for never until I came to this room in response to her cries for help had I seen her.”
    “Come, come,” said one of the officers; “there are judges to listen to all that,” and he advanced to lay his hand upon Tarzan’s shoulder. An instant later he lay crumpled in a corner of the room, and then, as his comrades rushed in upon the ape-man, they experienced a taste of what the apaches had but recently gone through. So quickly and so roughly did he handle them that they had not even an opportunity to draw their revolvers.
    During the brief fight, Tarzan had noted the open window, and, beyond, the stem of a tree, or a telegraph pole – he could not tell which. As the last officer went down, one of his fellows succeeded in drawing his revolver and, from where he lay on the floor, fired at Tarzan. The shot missed, and before the man could fire againTarzan had swept the lamp from the mantel and plunged the room into darkness.
    The next they saw was a lithe form spring to the sill of the open window and leap, panther-like, onto the pole across the walk. When the police gathered themselves together and reached the street their prisoner was nowhere to be seen.
    They did not handle the woman and the men who had not escaped any too gently when they took them to the station; they were a very sore and humiliated detail of police. It galled them to think that it would be necessary to report that a single unarmed man had wiped the floor with the whole lot of them, and then escaped them as easily as though they had not existed.
    The officer who had remained in the street swore that no one had leaped from the window or left the building from the time they entered until they had come out. His comrades thought that he lied, but they could not prove it.
    When Tarzan found himself clinging to the pole outside the window, he followed his jungle instinct and looked below for enemies before he ventured down. It was well he did, for just beneath stood a policeman. Above, Tarzan saw no one, so he went up instead of down.
    The top of the pole was opposite the roof of the building, so it was but the work of an instant for the muscles that had for years sent him hurtling through the treetops of his primeval forest to carry him across the little space between the pole and the roof. From one building he went to another, and so on, with much climbing, until at a cross street he discovered another pole, down which he ran to the ground.
    For a square or two he ran swiftly; then, he turned into a little all-night café, and in the lavatory removed the evidences of his over-roof promenade from hands and clothes. When he emerged a few moments later it was to saunter slowly on toward his apartments.
    Not far from them he came to a well-lighted boulevard which it was necessary to cross. As he stood beneath a brilliant arc light, waiting for a limousine that was approaching to pass him, he heard his name called in a sweet feminine voice. Looking up, he met the smiling eyes of Olga de Coude as she leaned forward upon the back seat of the machine. He bowed very low in response to her friendly greeting. When he straightened up the machine had borne her away.
    “Rokoff and the Countess de Coude both in the same evening,” he soliloquized; “Paris is not so large, after all.”
All coincidences in ERB stories are framed to appear that way, but like most of coincidences in life, they are not really coincidences at all, but important clues as our invisible Creator urges us forward according to his master plot. We certainly will see more of the countess – much more. Until then.

INTRODUCTORY AND CONTENTS PAGE FOR
THE EDGAR RICE BURROUGHS ARTICLES
BY WOODROW EDGAR NICHOLS, JR.

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